Creative director. Brand storyteller. Human being.
I am a storyteller with strategist instincts. I bring ideas to life in a way people can't ignore when the direction is blurry, stakes are high, and the right words matter.
I'm not the loudest person in the room. I'm the person in the room trying to figure out what everyone else is trying to say.
Ideas are everywhere. The hard part comes after you sell one: the thousand decisions, the midnight rewrites, improvising the alternate line that saves the spot, the instinct that knows when something's close but not there yet. These are the projects that show what happens when you balance what the brand wants to say with what people actually want to hear.
Developed, wrote, and produced a 15-minute cinematic recap featuring Kevin Smith to promote Amazon's flagship sci-fi series. The joke: a show famous for its visual effects, recapped by a host who assumes he'll get the same treatment. He doesn't. Generated major press and became Amazon's playbook for audience anticipation ahead of new seasons.
My job was finding the real story buried inside 90 years of history. That meant descending into the archives, rebuilding the founder's voice from scratch, and following the thread until a narrative emerged: caring for water is caring for people. Once we found it, we built the whole campaign around it.
Led creative development of a full-funnel TikTok campaign end-to-end. Collaborated with talent, including Hilary Duff and Tia Mowry, to produce 5x videos that drove measurable traffic to Amazon's landing pages. The highest-performing branded social campaigns of that Prime Day cycle built from a blank doc and a deadline.
The brief had two jobs: introduce audiences to TBS's Miracle Workers and give Subaru a natural home inside it. That's a hard needle to thread. The integration had to preview the show, feature the car, and still feel like something worth watching. That meant understanding both deeply enough to find where they actually overlapped, then writing toward it.
I walked in as a staff writer at Above Average, the digital production studio owned by Lorne Michaels' Broadway Video. I left as head writer of the branded content studio. I managed our writers' room, pitched dozens of pilots to networks, and worked across hundreds of projects spanning every format, budget, and brief. It's where I built my instincts, sharpened my taste, and learned what good actually looks like.
Writing and living are the same practice. They ask you to be present, be honest, risk something, and to remember that the person on the other end is also, basically, you.
This is a working list of beliefs and techniques collected over the years, one lesson at a time. Some I learned by failing. Some by succeeding. Some by watching. Some by tinkering quietly until I understood what works, what doesn't, and why. Each line could be its own essay. If any of them catch you, ask. There's always a story behind it. There's almost nothing else.
You don't need a polished brief. You just need to know you want to make something awesome.
Got it.
I’ll get in touch.